Paintings Quezon City and San Isidro Labrador Essay Example For Students

Paintings: Quezon City and San Isidro Labrador Essay This oil painting on canvas depicts a rural scene where a group of people are shown celebrating a fiesta in Antipodal. The main focus is on a pair of dancers in the field surrounded by revelers both young and old. * Harvest The rice planting means, to remember the history/culture of every Filipino human that the our farmers is the main topic, Rice planting by Fernando Amarillo is the most beautiful and amazing paint that he did. * Washing Clothes, 1958- A woman wearing a red skirt and sash, and a white blouse and head covering, holds up the clothes she is washing with her left hand. According to Sylvia Amarillo-Laze, This scene could be in one of the streams in Marital, or Sat, Maria, or Because in Vulcan province as these are the places he frequented spending time working on the spot. Manuel Ballroom k Vista in San Sister Labrador- In the Guenon towns of Lucian and Assyria, the Anytime fiesta of San Sister Labrador decks the houses in kipping, colorful leaf shapes made of rice flour formed into chandeliers and floral arrangements. The kipping covers all available space, together With the harvest of fruits and grain, handicrafts, and other products of the town. One Sunday Afternoon, 1984- Anita Massages- HO k Catching Chicken, 1938- it measures xx CM. * Potting Flowers- it was made during 1981. It is Oil on canvas and measures 91. Xx 121. 9 CM, Vaccine Mainsail * Market Scene, 1975 Oil in Canvas. It is one of his paintings which employed cubism as manifested by the angles and planes floating around to form the whole picture through different shades and colors. * Fruit Vendor. * Sandlot- 1948. Oil on Canvas, 23 x 24 inches. From the collection of the Museum of Philippine Art. * Babul Vendor. It was painted by the use of watercolors Victoria Decades Interaction- a painting by Carols Francisco + Gal. Camp + Victory Decades during 1935 * The Sketch- a painting by Victory Decades which is oil on canvas and measures CACM x CACM in the year 1920. Juan Lunar * Parisian Life- The Parisian Life, also known as Interior dun Cafà © is an 1892 oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Lunar. The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of the Philippines after the state pension fund transferred management of its collection o the National Museum in March 2012. K Spousals, 1884- The Spoliation is the most valuable oil-on-canvas painting by Juan Lunar, a Filipino educated at the Academia De Dibbed y Painter (Philippines) and at the Academia De San Fernando in Madrid, Spain. With a size Of 4. 22 meters x 7. 675 meters, it is the largest painting in the Philippines. Hernandez Camp * Hernandez Camp- Hernandez R . Ocarina (April 28, 1911 December 28, 1978) is a Filipino National Artist in the visual arts. He is also fictions, a flap,bright and editor. Hernandez Uric Camp was a leading radical modernist artist in the Philippines. Homage to Tanning Soar, 1977- painted by Hernandez R. Camp (1911 . 1978)the material or medium used was Acrylic. Melcher Aquinas also known as Tanning Soar, was a Filipino Revolutionary. She symbolizes heroism, hope and bravery. She gained the titles Grand Woman of Revolution and the Mother of Ballerinas for her heroic contributions to Philippine History. * Fiesta 1975 MGM Bantam an Sculptor Napoleon Above * Rice planters Predestined, 1982- Predestined is a famous sculpture that was displayed at Singapore port Canning park, Singapore, during the SEAN Sculpture Symposium that was held from 27 March to 26 April 1981. Monuments in Boniface, 1930- This statue of Andrea Boniface commemorates the Blood pact that occurred when the Justinian was founded on July 7, 1892 in Carriage street (now Clara M. Recto), Toned, Manila Andrea Boniface was the founder of the Justinian (ASK) and was often called the Supreme. Allegorical Harpoon- Allegorical Harpoon is one Of the first creations in hard Wood in Which the sense of values were more important than the heroic representation of Diophantine ancestors. This sculpture was Napoleon Abusers entry for the XIII .u247b64f8f67e5d4f2bde18fc59906bf6 , .u247b64f8f67e5d4f2bde18fc59906bf6 .postImageUrl , .u247b64f8f67e5d4f2bde18fc59906bf6 .centered-text-area { min-height: 80px; position: relative; } .u247b64f8f67e5d4f2bde18fc59906bf6 , .u247b64f8f67e5d4f2bde18fc59906bf6:hover , .u247b64f8f67e5d4f2bde18fc59906bf6:visited , .u247b64f8f67e5d4f2bde18fc59906bf6:active { border:0!important; } .u247b64f8f67e5d4f2bde18fc59906bf6 .clearfix:after { content: ""; display: table; clear: both; } .u247b64f8f67e5d4f2bde18fc59906bf6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u247b64f8f67e5d4f2bde18fc59906bf6:active , .u247b64f8f67e5d4f2bde18fc59906bf6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u247b64f8f67e5d4f2bde18fc59906bf6 .centered-text-area { width: 100%; position: relative ; } .u247b64f8f67e5d4f2bde18fc59906bf6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u247b64f8f67e5d4f2bde18fc59906bf6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u247b64f8f67e5d4f2bde18fc59906bf6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u247b64f8f67e5d4f2bde18fc59906bf6:hover .ctaButton { background-color: #34495E!important; } .u247b64f8f67e5d4f2bde18fc59906bf6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u247b64f8f67e5d4f2bde18fc59906bf6 .u247b64f8f67e5d4f2bde18fc59906bf6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u247b64f8f67e5d4f2bde18fc59906bf6:after { content: ""; display: block; clear: both; } READ: The Process of Painting Like a Professional EssayVenice Biennial in 1964. Its one of his best abstract sculptures. It is an artwork With its movable, swivel-piece pegged to its rifle-shaped horizontal torso, impresses with its elegant but puzzling appearance. Eduardo Castillo * Eduardo Castillo- Eduardo De Los Santos Castillo (born October 31, 1942) is an award-winning Filipino sculptor. He was born in Santa Ana, Manila, the youngest of five children of Santiago Silva Castillo, jeweler, and Magdalene De Los Santos, a leading actress in Surreal and Holy Week pageants in Magmata, Philippines. Castillo was a Republic Cultural Heritage warded. He is also a jewelry artist and designer, * 1969_ People Power, 1993- The People Power Monument is a sculpture of towering people commemorating the people power Revolution of 1986 located on the corner tot Petition De Los Santos Avenue or ADS and White Plains Avenue in Guenon It was made by Eduardo Castillo in 1993. It is about 0. 89 kilometers from the ADS Shrine, another monument built to commemorate the event. * Spirit of Panamanian, 1974- The Pointblank Shrine in San Juan City, Metro Manila commemorates the very first battle of the Justinian against the Spanish colonial government during the Philippine Revolution. This is the Battle of San Juan del Monte also known as the Battle of Panamanian. Panamanian is Toga for place of battle or delegation which makes the latter name humorously mean battle of the battleground. Cry of Toned, 1978- The public sculpture of Castillo has to be seen as an obsession, a crusade and a public service; a compulsion to create these huge metal beings possible only by cajoling, persuading. And exciting various types Of benefactors and bureaucrats, seminaries and ego maniacs to work together.